Sitemap - 2021 - Bulwark Goes to Hollywood

Merry Christmas!

Hollywood Unions and the Great Resignation

Hollywood Kisses China's BO Bye Bye

Awards Season!

No Hollywood Movie Has Ever Made Money

MoviePass: Idiotic, but Kinda Brilliant

How the Pandemic Saved 'Dune'

'The French Dispatch' Review

'Dune' Review

'The Last Duel' Review

'No Time to Die' Review

'The Many Saints of Newark' Review

'The Eyes of Tammy Faye' Review

'Cry Macho' Review

'The Card Counter' Review

'Shang-Chi' Review

'Candyman' Review

'The Night House' Review

'Free Guy' Review

'The Suicide Squad' Review

'The Green Knight' Review

M. Night Shyamalan's 'Old' Review

'Pig' Review

'Black Widow' Review

‘The Tomorrow War’ Review

‘The Hitman’s Wife’s Bodyguard’ Review

'Marvel's M.O.D.O.K.' Review

Bo Burnham’s 'Inside' and Art in the Age of Recursion

‘Cruella’ Review

'The Woman in the Window' Review

'Army of the Dead' Review

‘Wrath of Man’ Review

'Tom Clancy's Without Remorse,' Reviewed

Honest Oscar Voter: Honestly, the Movies This Year Are Mediocre

Elon Musk Should Buy the Arclight

'The Father': The Best Best Picture Nominee

'Godzilla vs. Kong' Reviewed!

Hollywood, Please Don't Zoom the Oscars

Zack Snyder's Justice League, Reviewed

Let a Thousand Film Markets Bloom

'Coming 2 America' Comes to Your TV

The Toxic Femininity of ‘I Care a Lot’

Will Coastal Theaters Reopen in Time for Black Widow?

Actually, It’s About Ethics in Film Criticism

Good Viewer Data Is Hard to Come By

How Reddit May Have Saved AMC

Can Reporting Change the World?

Who Killed Hollywood (Again)?

Quibi's Back! Who Cares?

‘Soul’ Reviewed. Plus: Will It Be a Happy New Year for the Movie Biz?